1887-1927 Born in Madrid, he studied mechanical drawing at the Escuela de Artes y Manufacturas in Madrid from 1902 to 1904, during which time he contributed drawings to local periodicals. From 1904 to 1905 he studied painting with the academic artist Jose Maria Carbonero. In 1906 he moved to Paris and became friends with Henri Matisse, Georges Braque, Fernand Leger, and in 1915 he was painted by his friend, Amedeo Modigliani. In Paris, Gris followed the lead of another friend and fellow countryman, Pablo Picasso. His portrait of Picasso in 1912 is a significant early Cubist painting done by a painter other than Picasso or Georges Braque. (Although he regarded Picasso as a teacher, Gertrude Stein acknowledged that Gris "was the one person that Picasso would have willingly wiped off the map.") Portrait of Picasso, 1912, The Art Institute of Chicago.Although he submitted darkly humorous illustrations to journals such as Le Rire, L'assiette au beurre, Le Charivari, and Le Cri de Paris, Gris began to paint seriously in 1910. By 1912 he had developed a personal Cubist style. At first Gris painted in the analytic style of Cubism, but after 1913 he began his conversion to synthetic Cubism, of which he became a steadfast interpreter, with extensive use of papier coll??. Unlike Picasso and Braque, whose Cubist works were monochromatic, Gris painted with bright harmonious colors in daring, novel combinations in the manner of his friend Matisse. In 1924, he first designed ballet sets and costumes for Sergei Diaghilev and the famous Ballets Russes. Gris articulated most of his aesthetic theories during 1924 and 1925. He delivered his definitive lecture, Des possibilit??s de la peinture, at the Sorbonne in 1924. Major Gris exhibitions took place at the Galerie Simon in Paris and the Galerie Flechtheim in Berlin in 1923, and at the Galerie Flechtheim in D??sseldorf in 1925. He died in Boulogne-sur-Seine (Paris) in the spring of 1927 at the age of forty, leaving a wife, Josette, and a son, Georges.  Related Paintings of Juan Gris :. | Fruit dish on the blanket in blue color | The Painter's Window | Bottle Cup and newspaper | Le Dejeuner | Three mask |
Related Artists:
Francesco Cozza
1605-1682)was an Italian painter of the Baroque period. He was born in Stilo in Calabria and died in Rome. As a young man, he went to Rome and apprenticed with Domenichino. He traveled with Domenichino to Naples. He is best known for his expansive panegyric ceiling fresco, Apotheosis of Pamphili House, in the library of Palazzo Pamphili in Piazza Navona (1667-73). He also frescoed the Stanza del Fuoco in Palazzo Pamphili in Valmontone, 1658-59), where he worked along with Pier Francesco Mola, Gaspar Dughet, Mattia Preti, Giovanni Battista Tassi (il Cortonese), and Guglielmo Cortese. He also participated with Carlo Maratta and Domenico Maria Canuti in fresco decorations of the Palazzo Altieri. His landscape paintings recall the Carracci style of paesi con figure piccole (landscapes with small figures). He painted a Madonna del Riscatto in church of Santa Francesca Romana. He was received into the Accademia di San Luca at Rome in 1650.
Adrian Scott Stokes
RA (1854-1935) was an English landscape painter. Born in Southport, Lancashire, he became a cotton broker in Liverpool, where his artistic talent was noticed by John Herbert RA, who advised him to submit his drawings to the Royal Academy. He entered the Royal Academy Schools in 1872 and exhibited at the Academy from 1876. In that year went to France where he lived for 10 years, settling back in England in 1886, at Carbis Bay and joining the artists' colony at St Ives. Adrian Stokes was a landscape painter, concerned most with atmospheric effects, and later with decorative landscapes. He was the author of 'Landscape Painting' (1925). He became ARA in 1909 and RA in 1919, won medals at the Paris Exhibition and Chicago World Fair (1889), became first President of the St Ives Society of Arts (1890) and Vice President of the Royal Watercolour Society (1932). He married Marianne Preindlesberger of Graz, Austria, in 1884, while living in France. She became a well known artist under her married name of Marianne Stokes. An obituary of Adrian Stokes was published in The Times Monday 2 December 1935
Harold Gilman
British 1878-1919 Harold Gilman Gallery Developing an interest in art during a childhood convalescence period, he began his artistic training after a non-collegiate year at Oxford University (again cut short by ill health) and time working as a tutor to an English family living in Odessa. Studying at the Hastings School of Art (1896) and then the Slade School of Fine Art (1897?C1901), he then spent over a year studying the Spanish masters (Velazquez as well as Whistler were major early influences) and meeting and marrying the American painter Grace Cornelia Canedy. Moving back to London, where they settled (apart from an abortive trip to visit her family in Chicago, in which Gilman ducked pressure to join the Canedy family business), they had two daughters (one in London, one in Chicago). Meeting Walter Sickert in 1907, Gilman became a founder member of both the Fitzroy Street Group (in 1907) and the Camden Town Group (in 1911). In the meantime he joined the Allied Artists' Association, moved to Letchworth, and began to show influence from work of Vuillard as well as Sickert. He soon outpaced Sickert's understanding of post-Impressionism and moved out from under his shadow, however, using ever stronger colour and identifying with Charles Ginner as a 'Neo-Realist' (exhibiting with Ginner under that label in 1914). Canal Bridge, Flekkefjord, c. 1913Gilman visited Scandinavia in 1912 and 1913, and may have travelled with the artist William Ratcliffe, who had relations there. Gilman made studies of the environment, and painted Canal Bridge, Flekkefjord, an accurate depiction, whose subject is likely to have been inspired by Vincent van Gogh's depiction of a similar bridge in Provence. Gilman had rejected Van Gogh's work when he first encountered it, but later became a strong admirer and, according to Wyndham Lewis, keeping postcards of Van Gogh's work on his wall and sometimes hanging one of his own works next to them, if he was especially satisfied with it. At that time he also joined Robert Bevan's short-lived Cumberland Market Group with Ginner and John Nash. Remarrying in 1917, in 1918 he was commissioned to travel to Nova Scotia by the Canadian War Records.